During their investigation into a toxic waste scandal, Yousseff and Anne Marie Fuchs' client are found dead, and the two detectives find themselves in a life-threatening situation.

Anne Marie Fuchs' ex-husband Konrad Gelden was shot dead in his villa. This shatters the private detective's hope of solving the riddle of the disappearance of her son Florian. Almost thirty years ago, he was kidnapped as a boy to punish Anne for leaving the Stasi. When Anne's business partner Youssef receives a new order, the tide turns.

Sons of two different natures come to live alone with their stroke-paralyzed father and their seriously ill mother. Libor, a religious teacher, with his wife Jana, and Jirka, an atheistic, indecisive and melancholic photographer, with his young son Dominik and his young lover Nikol. Both brothers have to cope with partner problems in addition to their parents' illnesses. Libor and Jana's relationship is marked by futile attempts to conceive. The divorced Jirka, who is thinking of going abroad, does not know how to treat Nikol, who is also ignored by the family. After three days, the father dies, which brings some reconciliation, but the problems of their relationship remain open.

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"In Jan Carew’s explosive drama, Sammy Davis Jr gives a memorable performance as a proud but disillusioned revolutionary who aims to destroy the remnants of white colonial rule in a new African nation. The political themes explored remain incredibly prescient." - BFI

Love overtook the famous conductor in Russia, which he had once abandoned. But the young beloved, old enough to be his daughter, the pianist Lizaveta, apparently really is his daughter...

On a random night, Marco and Laura meet at a karaoke bar and sing the song "Evidências" together. Since then, they fell in love and formed a couple that seemed perfect, until the moment they said “yes”. Without understanding what happened, now, every time this song plays, Marco will travel through his memories with Laura.

Delving into the past and not shying away from the dug-up pain, a young filmmaker speaks to her Mexican mother and Palestinian father about their trying journeys into the United States. In a society with rhetoric increasingly vilifying Mexicans and Palestinians, the filmmaker picks up her camera in a bid to address the grief at the center of the generational trauma that has underscored her relationship with her family. A meditation of loss and grief relieved, ultimately, through reconciliation.

一个心理脆弱的男人将与自己的过去作斗争，努力弄清楚自己变成了什么样的人，以及他认为自己曾有过哪些行为。

1962 Japanese movie